Article Index


Works Cited


Amdur, Alice Steiner. The Poetry of Ezra Pound. 1936. New York: Russell, 1966.

Arrowsmith, Rupert Richard. Modernism and the Museum: Asian, African, and Pacific Art and the London Avant-Garde. Oxford: Oxford UP, 2011.

Blast 1 (June [i.e., July] 1914). Ed. Wyndham Lewis.

Blast 2 (July 1915). Ed. Wyndham Lewis.

Bush, Ronald. The Genesis of Ezra Pound’s Cantos. Princeton: Princeton UP, 1976.

---. “The ‘Rhythm of Metaphor’: Yeats, Pound, Eliot, and the Unity of Image in Postsymbolist Poetry.” Allegory, Myth, and Symbol. Ed. Morton W. Bloomfield. Cambridge, MA: Harvard UP, 1981. 371-88.

Carr, Helen. The Verse Revolutionaries: Ezra Pound, H. D. and the Imagists. London: Cape, 2009.

Coffman, Stanley K., Jr. Imagism: A Chapter for the History of Modern Poetry. Norman: U of Oklahoma P, 1951.

Davie, Donald. The Purity of Diction in English Verse. London: Chatto, 1952.

[Eliot, T. S.]. Ezra Pound: His Metric and Poetry. New York: Knopf, 1917 [i.e., 1918].

Ewick, David. “The Instigations of Ezra Pound by Ernest Fenollosa: The Chinese Written Character, Atlantic Crossings, Texts Mislaid, and the Machinations of a Divinely-Inspired Char Woman.” Essays and Studies [Tokyo Woman’s Christian University] 66 (2015). Forthcoming.

Fenollosa, Ernest, and Ezra Pound. “The Chinese Written Character as a Medium for Poetry.” Little Review 6.5 (Sept. 1919): 62-64; 6.6 (Oct. 1919): 57-64; 6.7 (Nov. 1919): 55-60; 6.8 (Dec. 1919): 68-72. Rpt. in Pound, Instigations, 357-88, and in The Chinese Written Character as a Medium for Poetry: A Critical Edition. Eds. Haun Saussy, Jonathan Stalling, and Lucas Klein. New York: Fordham UP, 2008. 41-74.

Flint, F. S. [and Ezra Pound]. “Imagisme.” Poetry 1.6 (Mar. 1913): 198-200.

Flory, Wendy Stallard. The American Ezra Pound. New Haven: Yale UP, 1989.

Gage, John T. In the Arresting Eye: The Rhetoric of Imagism. Baton Rouge: Louisiana State UP, 1981.

Giles, Herbert. A History of Chinese Literature. London: Heinemann, 1901.

Harmer, J. B. Victory in Limbo: A History of Imagism, 1908-1917. New York: St. Martin’s, 1975.

Houwen, Andrew. “Ezra Pound’s Early Cantos and his Translation of Takasago.” Review of English Studies 65 (Apr. 2014): 321-41.

Hughes, Glenn. Imagism and the Imagists: A Study in Modern Poetry. Stanford: Stanford UP, 1931.

Kanaseki, Hisao. “Haiku and Modern American Poetry.” East-West Review 3 (1967-68): 223-41.

Keene, Donald. Japanese Literature: An Introduction for Western Readers. New York: Grove, 1955.

Kenner, Hugh. Introduction. The Translations of Ezra Pound. Ed. Kenner. London: Faber, 1953. 9-18.

---. The Poetry of Ezra Pound. Norfolk: New Directions, 1951.

---. The Pound Era. Berkeley: U of California P, 1971.

Laughlin, James. The Collected Poems of James Laughlin, 1935-1997. Ed. Peter Glassgold. New York: New Directions, 2014.

---. Foreword. “Some Irreverent Literary History.” The Poetry of Ezra Pound, 2nd. ed. By Hugh Kenner. Lincoln: U of Nebraska P, 1985. ix-xiii.

Longenbach, James. Stone Cottage: Pound, Yeats, and Modernism. Oxford: Oxford UP, 1988.

MacNiven, Ian S. “Literchoor Is My Beat: A Life of James Laughlin, Publisher of New Directions. New York: Farrar, Straus and Giroux, 2014.

Mihálka, Réka. “Ezra Pound’s Translation and Adaptation of the Japanese Nō.” Journal of American Studies of Turkey 32 (2012): 33-46.

Miyake, Akiko. “Ezra Pound and Noh.” A Guide to Ezra Pound and Ernest Fenollosa’s Classic Noh Theatre of Japan. Eds. Miyake, Sanehide Kodama, and Nicholas Teele. Orono, ME: National Poetry Foundation, 1994. xvii-lv.

Muldoon, Paul. “Hopewell Haiku.” Hay. By Muldoon. London: Faber, 1998. 55-73.

Nagahata, Akitoshi. “Pound’s Reception of Noh Reconsidered: The Image and the Voice.” Quaderni di Palazzo Serra 15 (2008): 113-25.

Nicholls, Peter. “An Experiment With Time: Ezra Pound and the Example of Japanese Noh.” Modern Language Review 90 (1995): 1-13.

Nichols, John G. “Ezra Pound’s Poetic Anthologies and the Architecture of Reading.” PMLA 121 (2006): 170-85.

Pellecchia, Diego. “Ezra Pound and the Politics of Noh Film.” Philological Quarterly 92.4 (2013 [i.e., 2014]): 499-516.

Pound, Ezra. ABC of Reading. London: Faber, 1934.

---. “Affirmations VI: The ‘Image’ and the Japanese Classical Stage (1915).” Princeton University Library Chronicle 53/1 (1991): 17-22.

---. The Cantos of Ezra Pound. New York: New Directions. Enlarged 13th printing. 1995.

---. Cathay. London: Mathews, 1915.

---. “Cavalcanti.” 1928-1929. Literary Essays of Ezra Pound. Ed. T. S. Eliot. New York: New Directions, 1954. 149-200.

---, ed. “The Classical Drama of Japan.” Quarterly Review 221 (Oct. 1914): 450-77.

---, ed. “The Classical Stage of Japan: Ernest Fenollosa’s Work on the Japanese ‘Noh.’” Drama 5 (May 1915): 199-247.

---. “D’Artagnan Twenty Years After.” 1937. Selected Prose, 452-60.

---, ed. Des Imagistes: An Anthology. New York: Boni, 1914.

---. [EP&J] Ezra Pound and Japan: Letters & Essays. Ed. Sanehide Kodama. Redding Ridge, CT: Black Swan, 1987.

---. [EP/P] Ezra Pound to His Parents: Letters 1895-1929. Eds. Mary de Rachewiltz, A. David Moody, and Joanna Moody. Oxford: Oxford UP, 2010.

---. [EP/ACH] The Letters of Ezra Pound to Alice Corbin Henderson. Ed. Ira Nadel. Austin: U of Texas P, 1993.

---. “How to Read.” 1929. How to Read. London: Harmsworth, 1931.

---. “Imagisme and England: A Vindication and an Anthology.” T. P.’s Weekly 25 (20 Feb. 1915): 185.

---. Instigations of Ezra Pound. New York: Boni, 1920.

---, ed. “Nishikigi.” Poetry 4 (May 1914): 35-48.

---, ed. “Noh” or Accomplishment: A Study of the Classical Stage of Japan. London: Macmillan, 1916 [i.e., Jan. 1917].

---. Plays Modelled on the Noh (1916). Ed. Donald Gallup. Toledo: Friends of the U of Toledo Libraries, 1987.

---. “Remy de Gourmont.” 1915. Selected Prose. 413-23.

---. Ripostes of Ezra Pound. London: Swift, 1912.

---. Selected Prose, 1909-1965. Ed. William Cookson. [New York]: New Directions, 1973.

---. “Vorticism.” Fortnightly Review NS 96 (1 Sept. 1914): 461-71.

Rexroth, Kenneth. Kenneth Rexroth and James Laughlin: Selected Letters. Ed. Lee Bartlett. New York: Norton, 1991.

Saunders, Max. Ford Madox Ford: A Dual Life. 2 vols. Oxford: Oxford UP, 1996.

Schwartz, William Leonard. “L’Appel de l’extrème-Orient dans la poésie des États-Unis.” Revue de littérature comparée, Jan. 1928. 113-26.

Slatin, Myles. “A History of Pound’s Cantos I-XVI, 1915-1925.” American Literature 35.2 (May 1963): 183-95.

Stoicheff, Peter. The Hall of Mirrors: Drafts and Fragments and the End of Ezra Pound’s Cantos. Ann Arbor: U of Michigan P, 1995.

Taketomo, Torao. “American Imitations of Japanese Poetry.” Nation (New York) 110: (1920): 70-72

Terrell, Carroll F. A Companion to The Cantos of Ezra Pound. Vol. 1. Berkeley: U of California P, 1980.

Tiffany, Daniel. Radio Corpse: Imagism and the Cryptaesthetic of Ezra Pound. Cambridge, MA: Harvard UP, 1995.

Thacker, Andrew. The Imagist Poets. Horndon, Tavistock, Devon: Northgate, 2011.

“Vorticist Manifesto.” By R[ichard] Aldington, [Malcolm] Arbuthnot, L[awrence] Atkinson, [Henri] Gaudier-Brzeska, J[essica] Dismorr, C[uthbert] Hamilton, E[zra] Pound, W[illiam] Roberts, H[elen] Sanders [i.e., Saunders], E[dward] Wadsworth, and Wyndham Lewis. Blast 1: 9-43.